Bible Archaeology

Jordan Codice: The First Ever Portrait of Jesus?

The image is eerily familiar: a bearded young man with flowing curly hair. After lying for nearly 2,000 years hidden in a cave in the Holy Land, the fine detail is difficult to determine. But in a certain light it is not difficult to interpret the marks around the figure’s brow as a crown of thorns.

The extraordinary picture of one of the recently discovered hoard of up to 70 lead codices – booklets – found in a cave in the hills overlooking the Sea of Galilee is one reason Bible historians are clamouring to get their hands on the ancient artefacts.

If genuine, this could be the first-ever portrait of Jesus Christ, possibly even created in the lifetime of those who knew him.

The tiny booklet, a little smaller than a modern credit card, is sealed on all sides and has a three-dimensional representation of a human head on both the front and the back. One appears to have a beard and the other is without. Even the maker’s fingerprint can be seen in the lead impression. Beneath both figures is a line of as-yet undeciphered text in an ancient Hebrew script.

Astonishingly, one of the booklets appears to bear the words ‘Saviour of Israel’ – one of the few phrases so far translated.

The owner of the cache is Bedouin trucker Hassan Saida who lives in the Arab village of Umm al-Ghanim, Shibli. He has refused to sell the booklets but two samples were sent to England and Switzerland for testing.

A Mail on Sunday investigation has revealed that the artefacts were originally found in a cave in the village of Saham in Jordan, close to where Israel, Jordan and Syria’s Golan Heights converge – and within three miles of the Israeli spa and hot springs of Hamat Gader, a religious site for thousands of years.

According to sources in Saham, they were discovered five years ago after a flash flood scoured away the dusty mountain soil to reveal what looked like a large capstone. When this was levered aside, a cave was discovered with a large number of small niches set into the walls. Each of these niches contained a booklet. There were also other objects, including some metal plates and rolled lead scrolls.

The area is renowned as an age-old refuge for ancient Jews fleeing the bloody aftermath of a series of revolts against the Roman empire in the First and early Second Century AD.

The cave is less than 100 miles from Qumran, where the Dead Sea Scrolls were discovered, and around 60 miles from Masada, scene of the last stand and mass suicide of an extremist Zealot sect in the face of a Roman Army siege in 72AD – two years after the destruction of the Second Temple in Jerusalem.

It is also close to caves that have been used as sanctuaries by refugees from the Bar Kokhba revolt, the third and final Jewish revolt against the Roman Empire in 132AD.

The era is of critical importance to Biblical scholars because it encompasses the political, social and religious upheavals that led to the split between Judaism and Christianity.

It ended with the triumph of Christianity over its rivals as the dominant new religion first for dissident Jews and then for Gentiles.

In this context, it is important that while the Dead Sea Scrolls are rolled pieces of parchment or papyrus containing the earliest-known versions of books of the Hebrew Bible and other texts – the traditional Jewish format for written work – these lead discoveries are in book, or codex, form which has long been associated with the rise of Christianity.

The codices seen by The Mail on Sunday range in size from smaller than 3in x 2in to around 10in x 8in. They each contain an average of eight or nine pages and appear to be cast, rather than inscribed, with images on both sides and bound with lead-ring bindings. Many of them were severely corroded when they were first discovered, although it has been possible to open them with care.

The codex showing what may be the face of Christ is not thought to have been opened yet. Some codices show signs of having been buried – although this could simply be the detritus resulting from lying in a cave for hundreds of years.

Unlike the Dead Sea Scrolls, the lead codices appear to consist of stylised pictures, rather than text, with a relatively small amount of script that appears to be in a Phoenician language, although the exact dialect is yet to be identified…

… the British author and journalist Nick Fielding was approached by a Palestinian woman who was concerned that the booklets would be sold on the black market. Fielding was asked to approach the British Museum, the Fitzwilliam Museum in Cambridge and other places.

Fielding travelled to Israel and obtained a letter from the Israeli Antiquities Authority saying it had no objection to their being taken abroad for analysis. It appears the IAA believed the booklets were forgeries on the basis that nothing like them had been discovered before.

None of the museums wanted to get involved, again because of concerns over provenance. Fielding was then asked to approach experts to find out what they were and if they were genuine. David Feather, who is a metallurgist as well as an expert on the Dead Sea Scrolls, recommended submitting the samples for metal analysis at Oxford University.

The work was carried out by Dr Peter Northover, head of the Materials Science-based Archaeology Group and a world expert on the analysis of ancient metal materials.

The samples were then sent to the Swiss National Materials Laboratory at Dubendorf, Switzerland. The results show they were consistent with ancient (Roman) period lead production and that the metal was smelted from ore that originated in the Mediterranean. Dr Northover also said that corrosion on the books was unlikely to be modern.

Meanwhile, the politics surrounding the provenance of the books is intensifying. Most professional scholars are cautious pending further research and point to the ongoing forgery trial in Israel over the ancient limestone ossuary purporting to have housed the bones of James, brother of Jesus.

The Israeli archeological establishment has sought to defuse problems of provenance by casting doubt on the authenticity of the codices, but Jordan says it will ‘exert all efforts at every level’ to get the relics repatriated.

The debate over whether these booklets are genuine and, if so, whether they represent the first known artefacts of the early Christian church or the first stirrings of mystical Kabbalah will undoubtedly rage for years to come.

The director of Jordan’s Department of Antiquities, Ziad al-Saad, has few doubts. He believes they may indeed have been made by followers of Jesus in the few decades immediately following his crucifixion.

‘They will really match, and perhaps be more significant than, the Dead Sea Scrolls,’ he says. ‘The initial information is very encouraging and it seems that we are looking at a very important and significant discovery – maybe the most important discovery in the history of archaeology.’

If he is right, then we really may be gazing at the face of Jesus Christ.

There is a lot more here.

Things are becoming more than a little bizarre now, it has to be said.

HT:   Thanks to Billy in a comment here.

Advertisements

4 thoughts on “Jordan Codice: The First Ever Portrait of Jesus?

  1. Praise God! This is incredibly amazing, it does appear to be The Face of Jesus indeed…Thank

    Amazingly incredible and indeed it does appear to be the face of Jesus. Praise God! Great that 2 of the little booklets were sent on to England & another country.
    Please do keep me informed about this issue within the depths of the mid-East countries especially where there has always been so much conflict even today.

    angelgram

Post a Comment

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s